OBJECTS ON A PAGE
ENCYCLOPEDIC IMPULSES
| CONCISE HOUSEHOLD ENCYCLOPEDIA C1936 | ||
| ILLUSTRATED DICTIONARIES | ||
| THE SINGLE IMAGE NARRATIVE MA COURSE LECTURE | ||
| THE ORIGINAL "ARRANGEMENT ON THE PAGE" SCREEN | ||
GRAPHIC POSSIBILITIES
NATURAL HISTORY PLATES (SELECTION)
| LINNAEUS, SHELLS 1758/9 | |
| BONNANI, SHELLS FOR KIRCHER 1709 | |
| SAUNDERS, THE COMPLETE FISHERMAN 1744 , | |
| PANORAMA OF NATURE 1817 (CM Coll) | |
| LINNAEUS, SHELLS 1758/9 |
| BESLER, HORTENSUS EYSTETTENSIS 1613 TULIPS | |
| ROSSLER, FLORA DANICA, 1764 FERN | |
| BRADSHAW, POMONA BRITTANICA 1812 (001) | |
| BRADSHAW, POMONA BRITTANICA 1812 (002) | |
| ANON, FRUIT OF BRAZIL c1935 |
| FLEURS DES SERRES 1845 | |
| MUSHROOMS KRUMBHOLZ 1821 | |
| CLARK'S VERMICULARS DESTROYED, C1691 (worms and their ilk) | |
| F.Dixon, The Geology and Fossils of Sussex, 1850 | |
| Bu'hoz, Les dons merveilleux..., Paris 1782 |
| SNOW FLAKES AND HOAR FROST |
GENERIC TYPES
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MUSIC |
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CATALOGUES OF OBJECTS |
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DISTINGUISHED EXAMPLES before 1900
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DIDEROT L'Encyclopedie 1763 etc |
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CASSIANO DEL POZZO The Paper Museum 17th C |
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ALBERTUS SEBA Cabinet of Natural Curiosities 1734-1765 |
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| PIRANESI graphic deices | ||
ATHANASIUS KIRCHER CHINA MONUMENTIS 1667 |
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OWEN JONES GRAMMAR OF ORNAMENT 1856 |
DISTINGUISHED EXAMPLES after 1900
DESIGN/ARCHAELOGY
ILLUSTRATION
| BORIS ARTZYBASHEFF | ||
| BOUTET DE MONVELLE | ||
| CARAN D'ACHE | ||
| PAXTON CHADWICK | ||
| THOMAS CLELAND |
| WALTER CRANE | ||
| GEORGE CRUIKSHANK | ||
| FREDA DERRICK | ||
| STEVE DOHANOS | ||
| ANNA DUCHESNE |
| FOUGASSE | ||
| ERIC FRASER | ||
| GRACE GABLER ABC | ||
| ANDRE HELLE | ||
| F.K.HENRION |
| JOSEF HERCIK | ||
| 'JOB' | ||
| HAROLD JONES | ||
| RONALD LAMPITT | ||
| THE PETERSHAMS |
| ROJANKOWKSY | ||
| SKARBINA | ||
| NIKLAUS STOEKLIN | ||
| HEYWOOD SUMNER | ||
| HANS TISDALL |
THE BOOK IS OPENED .... How are the objects depicted to be deployed on the surface? How shall they relate to each other? The spaces between The ground The diagrammatic and the representational Tensions in dimension (2D v 3D) The role of text The balance of colour, shape, texture The role of the frame/s The role of the Rule, vignette, decoration The edge of the page The balance of information and decoration The source of rhetoric (the concealed narrator) Calculation versus the random The trajectory of the reader's eye across the page/s The pages on second trajectory The pages on second visit
THE PAGE IS TURNED The after-image Sustaining the grid Recognising a change of section (facsicule) overall metaphor on conclusion
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