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FORTUNE'S VISUAL ACHIEVEMENTS
COMMISSIONED portfolios of photographs
PHOTOGRAPHY
| FORTUNE'S BUSINESSMEN | |
| PORTFOLIOS | |
| SINGLE IMAGES |

PHOTOGRAPHERS
| WALKER EVANS | |
| RALPH STEINER | |
| JERRY COOKE | |
| FENNO JACOBS | |
| ROBERT MOTTAR |
PHOTO-ESSAYS
| Margaret Bourke White Copper in the Mill 1932 | |
| Robert Capa, Mexican Steel, 1940 | |
| William Garnett, The Houston Complex, 1958 | |
| William Garnett, Voltage Valley, 1956 | |
| Marvin Koner, Neighbours who are neither rich nor poor, 1962 |
| Arnold Newman The Skyline Builders | |
| David Plowden , Gone Fishing, 1964 | |
| Ezra Stoller , mass precision symmetry , 1946 | |
| Robert Doisneau, Palm Springs, 1964 | |

WHAT SHOULD FORTUNE PHOTOGRAPHS DO? "The picture is quiet and true. Since I am writing about photography let me point out that this picture is a better part of the story at hand than either a drawing or a painting would be. There is a profitable and well-run cracker firm in a sweaty part of the town, there is a knot of men talking on the pavement about anything but crackers, amidst the irrelevant trucks. This is where Mal-o-Mars are cooked and this is where last week's newspaper meets the gutter too. And the Strand Hotel becomes famous for flavour. My point is Fortune photographs should take a long look at a subject, get into it, and without shouting, tell a lot about it." to R.D. Paine, 23.7.48 (Walker Evans at Work). |
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