UNSOLICITED TESTIMONIALS

selected from 2006 responses

Chris Mullen,

just had a brief look over your site. What a brilliant and unusual resource. I'm very pleased to have found it (through a link to
Michel Eugène Chevreul in Wikipedia).

Thanks again, I will spread the word.

Marek Bogacki Staszkiewicz 21.1.2006

What a joy! VTS so quick and ready.
You the Work, we the Joy. Thanks! The VTS deserves a price for best webside on anything.
More visitors now it works so smooth?

Interesting, this Norman Hepple. Looks like woodblock, but must be pen.
What book can you recommend?

Dick Briel 17.12.2006

Dear Mr Mullen,

I found a fascinating caricature of Edward Elgar on your site. I don't suppose you know who the copyright owner is and how they might be contacted?Many thanks and best wishes

Robin Barry 15.11.2006

Dear Chris Mullen,

I am professor of Art history at the University of Uppsala, Sweden. in 2004, I chanced to hit upon your wonderful website with its vast treasure of visual material. I then held my course "Visual argumentation" for the first time,which very shortly could be described as "persuasion through the visual genres", i. e., I ask
myself what people do when they actively use images for some purpose or another....

Jan von Bonsdorff 14.11.2006

Dear Mr Mullen
I hope your email still works! I have just come across your website on the Book and fell on the 1886 Whistler catalogue with delight- fascinating! I hope that catalogue is somewhere safe! it is wonderful to have the reaction of someone who was actually at the show. I have a postgard student studying Whistler frames, and she is going to be bowled over when she sees that frame sketch. ...we have a huge Whistler collection; currently I am working on a catalogue raisonne of Whistler's etchings. With best wishes
Margaret MacDonald (Prof. of Art History)

Catalogue presented to the collection.

Dear Chris

Congrats on your revamped Falter/Crockwell/Dohanos pages - they look truly superb and pay proper respect to these unsung heroes.

Phil Beard 15.12.2006

Dear Chris, thanks for the website.
I did my Foundation at Brighton Polytechnic back in the 70s.
Now I teach Foundation and Illustration at Portland, Maine, USA...I plan to use your website as a teaching tool for both my classes.


Ed Briant
28.10.2006

Hello there,

I am a producer at the BBC, I'm putting some time into film-making and considering doing some academic study. In my own time, I'm looking at Tati's work, particularly Mr Hulot's Holiday.

I noticed a reference on your site to this which purely said - Spatial and Temporal Discontinuity  Jacques Tati and the 360 degree space, Monsieur Hulot's Holiday (1953).

I wondered if you could expand more on this or if you've any other literature or links relating to Hulot you could pass my way? There's a lack of literature on Hulot, so anything would be of interest!!

Best wishes Sam Smith 28.10.2006

Dear Mr Mullen,

just came across your archive, and i must say, i am overwhelmed. i wanted to congratulate you on your effort.

i have a keen interest in visual storytelling and currently am working as a graphics & layout editor at pearson education in new delhi, india. your site will be very useful for my education.

thanks,

Trinankur Banerjee
27.10.2006

Dear Mr. Mullen,

thanks for your great side which I recently explored.
I'm interested out of which book you got the side of Fleur Cowles researching in Italy for Flair. Maybe you can tell me the title of it. I really would appreciate that.

With kind regards,

Sabrina Wulff

Dear Chris Mullen,

Just to say THANKS for such an interesting site (which I have only recently discovered).
Long may it live and evolve.
Must have been a fascinating course.
Regards Terry Briody 25.09.2006

Dear Chris

I have visited you site a couple of times and found it fascinating. I am member of the M Saville Society . http://www.witchend.com/index.htm

My other interest includes the author ME Atkinson. I note you feature a inside cover on your site
http://www.fulltable.com/VTS/e/epm/epm.htm

09 Harold Jones/M.E.Atkinson/ Mystery Manor, John Lane, Bodley Head, London 1939, 20 x 26cms; and the most logical excuse for the endpaper map - the Who Dunnit. A detective book for children with beautiful drawings by Harold Jones.
 
I have been exploring with great interest the reserve stock of Lancashire Libraries which contain a good selection of the author’s books.   
 
I wonder if you are able to provide any background on the author - I have a project in progress to setup a web site to provide a history of the author  and his / her ? books .  
 
Thanks anticipating any help or leads you can provide.
Philip A Bannister
12.09.2006

Dear Dr Mullen

Thank you so much for your website. A friend had likened my illustrations to those of Nicholas Bentley of whose work I was ignorant. A Google search brought me to your site and I'd soon spent a long time poring over the work of Bentley and illustrators as Ionicus and John Ryan (fondly remembered from my Dad's Eagle annuals).

I hope to spend longer in future browsing the site- it seems a truly wonderful resource.

All the very best
A.Richard Allen  Illustrator
05.09.2006

Random thoughts:
  
The Saracen's Head-Osbert Lancaster
Vile Bodies-Adam rang up Nina.
You never know who's listening!-
Careless Talk Costs Lives
A pretty girl on a boat.
Another pretty girl this time on a picnic.
Surrounding town on a Prince with soldiers.
Antonio Petruccelli.

Top-hole.
  
David Maw 19.08.2006


hello
I found the book Yvonne B.Charlot, Tea-Cup Fortune Telling on your web site and tried to find on the web a site that would sell it. However no sites seem to have any record of it and I wondered if you have any information on any way possible in buying my very own copy.

Any help would be most grateful.

Lorraine 16.07.2006

Hi,
It is my understanding that when Pynson published SHIP OF FOOLS in 1509, the book contained a graphic representation of the Pynson coat-of-arms. Is there any way that you know of that I can get a facsimile or
scan of that page ?

David Pinson 21.06.2006

Hi,

I used a download application to download the a page from your site
and its images (the Vernon Hill calendar page). Or so I thought - I
let it go overnight, and it's downloaded most of your site.

Let me know if this cost you anything as far as bandwidth expenses
and I'll reimburse you. Looks like I managed to download about 800MB
before I just now stopped it.

Great site, by the way! Regards, Josh McMichael 10.06.2006


Hi there,

I am an infographic artist from germany and I 'm a big fan of FORTUNE's graphics.
Thanx for showing all the nice graphics on your website - I have some editions of Fortune that you dont show! Maby I can scan it for you? Maybe I can help you with other interesting old graphics from my small archive?
...


All the best,

Jan Schwochow
28.05.2006

Dear Chris,
I am a mature student at the University of Central Lancashire and have just finished my 2nd year of a BA(Hons) in Antiques and Design Studies. I recently 'discovered', and was intrigued by,  Talwin Morris, and have had approved the idea of doing a piece of work on him for my Honours project next year. I have recently come across the 'fulltable' website which I assume is yours, and the VTS website
 
Kind regards
 
John Debicki 18.05.2006
 

Dear Sir,
        First allow me  to say how much I liked your website. I am writing because I have an original Douglas Crockwell painting that I am currently researching.  It is round, about 23" in diameter and of vikings at sea.  I have not been able to find any information relating to this imagery which seems to me so unlike his other paintings.  Would you be willing or able to provide me with any insight on this piece?  ...
Sincerely,


Valerie Ramos
05.05.2006

Dear Chris
 
Great site!
 
Just wondered if you happen to know any more about the illustrator Ronald Lampitt featured on your site? I have treasured the book 'The open Road' and 'The Map That Came To Life' for many years now and have tried to find information on this mysterious man but to no avail.
 
I wondered if you know if Ronald is still alive (unlikely) or where he is buried as I would love to pay respects either way to this influential man whose art has had a big effect on the music I create.
 
All the very best
Regards
Antony 27.04.2006

Dear Chris,
I am the exhibitions manager for the Wattis Institute for Contemporary Arts at the California College of the Arts. We are currently working with an artist-in-residence named Michael Stevenson whose project involves replicating a rare machine called a Moniac. The Moniac was developed in the early 1950s and used for a brief period to teach basic economic principles. A wonderful diagram of it is reproduced in the March 1952 issue of Fortune (p. 101) which you've reproduced on your website (the link I've attached below).

I have asked Fortune about obtaining permission to reproduce this diagram on the website for the Wattis Institute. However, they tell me that they do not hold copyright permission for illustrations and photographs reproduced in their magazine. May I ask you how you went about obtaining permission, if it was even needed, for reproducing this image on your site?

I appreciate any insight you might have with this unique request.

With best regards,
Jim Voorhies
31.01.2006

Dear Chris Mullen

We are making a small doco with some reference to Victoriannia images of flight.  Do you know if the "Hartmann the Anarchist" images on your facinating website are in the public domain or owned by someone.

best regards,
Anthony Lucas 29.01.2006

Chris, Thank you so much. Yes, one of the entrances still looks exactly
like that. We will certainly send you a picture when we are done. How
would you like your credit to read?

Fran Cariaga
Office of Policy and Coordination
Bureau of Competition
Federal Trade Commission

Anti-Trust cartoons used for the building's foyer 07.02.2006