Chris
Mullen,
just had a brief look over your site. What a brilliant and unusual resource.
I'm very pleased to have found it (through a link to Michel
Eugène Chevreul in
Wikipedia).
Thanks again, I will spread the word.
Marek
Bogacki Staszkiewicz 21.1.2006
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What
a joy! VTS so quick and ready.
You the Work, we the Joy. Thanks! The VTS deserves a price for best webside on
anything.
More visitors now it works so smooth?
Interesting, this Norman Hepple. Looks like woodblock, but must be pen.
What book can you recommend?
Dick
Briel 17.12.2006
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Dear Mr Mullen,
I found
a fascinating caricature of Edward Elgar on your site. I don't suppose
you know who the copyright owner is and how they might be contacted?Many
thanks and best wishes
Robin Barry 15.11.2006 |
Dear Chris Mullen,
I am
professor of Art history at the University of Uppsala, Sweden.
in 2004, I chanced to hit upon your wonderful website with its
vast treasure of visual material. I then held my course "Visual
argumentation" for the first time,which very shortly could
be described as "persuasion through the visual genres",
i. e., I ask
myself what people do when they actively use images for some purpose
or another....
Jan von Bonsdorff 14.11.2006
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Dear Mr Mullen
I hope your email still works! I have just come across your website on
the Book and fell on the 1886 Whistler catalogue with delight- fascinating!
I hope that catalogue is somewhere safe! it is wonderful to have the
reaction of someone who was actually at the show. I have a postgard
student studying Whistler frames, and she is going to be bowled over
when she sees that frame sketch. ...we have a huge Whistler collection;
currently I am working on a catalogue raisonne of Whistler's etchings.
With best wishes
Margaret MacDonald (Prof. of Art History)
Catalogue
presented to the collection. |
Dear
Chris
Congrats
on your revamped Falter/Crockwell/Dohanos pages - they look truly
superb and pay proper respect to these unsung heroes.
Phil Beard 15.12.2006
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Dear
Chris, thanks for the website.
I did my Foundation at Brighton Polytechnic back in the 70s.
Now I teach Foundation and Illustration at Portland, Maine, USA...I plan to use
your website as a teaching tool for both my classes.
Ed Briant 28.10.2006
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Hello
there,
I am a producer at the BBC, I'm putting some
time into film-making and considering doing some academic study. In my
own time, I'm looking at Tati's work, particularly Mr Hulot's Holiday.
I noticed a reference on your site to this which
purely said - Spatial
and Temporal Discontinuity Jacques Tati and the 360 degree space,
Monsieur Hulot's Holiday (1953).
I wondered if you could expand more on this or
if you've any other literature or links relating to Hulot you could pass
my way? There's a lack of literature on Hulot, so anything would be of
interest!!
Best wishes Sam Smith 28.10.2006
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Dear
Mr Mullen,
just came across your archive, and i must say, i am overwhelmed. i wanted to
congratulate you on your effort.
i have a keen interest in visual storytelling and currently am working as a graphics & layout
editor at pearson education in new delhi, india. your site will be very useful
for my education.
thanks,
Trinankur Banerjee 27.10.2006
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Dear Mr. Mullen,
thanks for your great side which I recently explored.
I'm interested out of which book you got the side of Fleur Cowles researching
in Italy for Flair. Maybe you can tell me the title of it. I really
would appreciate that. With kind regards, Sabrina Wulff |
Dear
Chris Mullen,
Just to say THANKS for such an interesting
site (which I have only recently discovered).
Long may it live and evolve.
Must have been a fascinating course.
Regards Terry Briody 25.09.2006
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Dear
Chris
I have visited you site a couple of times and found it fascinating. I am member
of the M Saville Society . http://www.witchend.com/index.htm
My other interest includes the author ME Atkinson. I note you feature a inside
cover on your site
http://www.fulltable.com/VTS/e/epm/epm.htm
09 Harold Jones/M.E.Atkinson/ Mystery Manor, John Lane, Bodley Head, London
1939, 20 x 26cms; and the most logical excuse for the endpaper map - the Who
Dunnit. A detective book for children with beautiful drawings by Harold Jones.
I have been exploring with great interest the reserve stock of Lancashire Libraries
which contain a good selection of the author’s books.
I wonder if you are able to provide any background on the author - I have a project
in progress to setup a web site to provide a history of the author and
his / her ? books .
Thanks anticipating any help or leads you can provide.
Philip A Bannister 12.09.2006
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Dear
Dr Mullen
Thank you so much for your website. A friend had likened my illustrations to
those of Nicholas Bentley of whose work I was ignorant. A Google search brought
me to your site and I'd soon spent a long time poring over the work of Bentley
and illustrators as Ionicus and John Ryan (fondly remembered from my Dad's Eagle
annuals).
I hope to spend longer in future browsing the site- it seems a truly wonderful
resource.
All the very best
A.Richard Allen Illustrator 05.09.2006 |
Random
thoughts:
The Saracen's Head-Osbert Lancaster
Vile Bodies-Adam rang up Nina.
You never know who's listening!-
Careless Talk Costs Lives
A pretty girl on a boat.
Another pretty girl this time on a picnic.
Surrounding town on a Prince with soldiers.
Antonio Petruccelli.
Top-hole.
David Maw 19.08.2006
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hello
I found the book Yvonne B.Charlot, Tea-Cup Fortune Telling on your
web site and tried to find on the web a site that would sell it. However no sites
seem to have any record of it and I wondered if you have any information on any
way possible in buying my very own copy.
Any help would be most grateful.
Lorraine 16.07.2006
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Hi,
It is my understanding that when Pynson published SHIP OF FOOLS in 1509, the
book contained a graphic representation of the Pynson coat-of-arms. Is
there any way that you know of that I can get a facsimile or
scan of that page ?
David
Pinson 21.06.2006 |
Hi,
I used a download application to download the a page from your site
and its images (the Vernon Hill calendar page). Or so I thought - I
let it go overnight, and it's downloaded most of your site.
Let me know if this cost you anything as far as bandwidth expenses
and I'll reimburse you. Looks like I managed to download about 800MB
before I just now stopped it.
Great
site, by the way! Regards, Josh
McMichael 10.06.2006
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Hi
there,
I am an infographic artist from germany and I 'm a big fan of FORTUNE's graphics.
Thanx for showing all the nice graphics on your website - I have some editions
of Fortune that you dont show! Maby I can scan it for you? Maybe I can help you
with other interesting old graphics from my small archive?
...
All the best,
Jan Schwochow 28.05.2006
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Dear
Chris,
I am a mature student at the University of Central Lancashire and have just finished
my 2nd year of a BA(Hons) in Antiques and Design Studies. I recently 'discovered',
and was intrigued by, Talwin Morris, and have had approved the idea of
doing a piece of work on him for my Honours project next year. I have recently
come across the 'fulltable' website which I assume is yours, and the VTS website
Kind regards
John Debicki 18.05.2006
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Dear Sir,
First allow me to say how
much I liked your website. I am writing because I have an original Douglas Crockwell
painting that I am currently researching. It is round, about 23" in
diameter and of vikings at sea. I have not been able to find any information
relating to this imagery which seems to me so unlike his other paintings. Would
you be willing or able to provide me with any insight on this piece? ...
Sincerely,
Valerie Ramos 05.05.2006
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Dear
Chris
Great site!
Just wondered if you happen to know any more about the illustrator Ronald Lampitt
featured on your site? I have treasured the book 'The open Road' and 'The Map
That Came To Life' for many years now and have tried to find information on this
mysterious man but to no avail.
I wondered if you know if Ronald is still alive (unlikely) or where he is buried
as I would love to pay respects either way to this influential man whose art
has had a big effect on the music I create.
All the very best
Regards
Antony 27.04.2006 |
Dear
Chris,
I am the exhibitions manager for the Wattis Institute for Contemporary Arts at
the California College of the Arts. We are currently working with an artist-in-residence
named Michael Stevenson whose project involves replicating a rare machine called
a Moniac. The Moniac was developed in the early 1950s and used for a brief period
to teach basic economic principles. A wonderful diagram of it is reproduced in
the March 1952 issue of Fortune (p. 101) which you've reproduced
on your website (the link I've attached below).
I have asked Fortune about obtaining permission to reproduce this
diagram on the website for the Wattis Institute. However, they tell me that they
do not hold copyright permission for illustrations and photographs reproduced
in their magazine. May I ask you how you went about obtaining permission, if
it was even needed, for reproducing this image on your site?
I appreciate any insight you might have with this unique request.
With best regards,
Jim Voorhies 31.01.2006
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Dear Chris Mullen
We are making a small doco with some reference
to Victoriannia images of flight. Do you know if the "Hartmann
the Anarchist" images on
your facinating website are in the public domain or owned by someone.
best regards,
Anthony Lucas 29.01.2006
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Chris, Thank you so much. Yes, one
of the entrances still looks exactly
like that. We will certainly send you a picture when we are done. How
would you like your credit to read?
Fran Cariaga
Office of Policy and Coordination
Bureau of Competition
Federal Trade Commission
Anti-Trust
cartoons used for the building's foyer 07.02.2006 |
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