TOP ROW
Edouart,The
Arist's Children 1828 ; A Page of Objects ; Silhouette landscape
c1920; Couple at leisure c1927; Lavater's Treatise on
Physiognomy, interpretation of the profile.
BOTTOM ROW.
Lavater's Treatise, taking a silhouette Portrait; from
Lavater, Physiognomy, the artist's chair; Limomachia,
a machine for taking likenesses; Schmalcalder's Profile Machine,
patent drawing 1806.
The Silhouette
had a claim to represent the origin of art, when a woman traced her lover's
profile on the wall shortly before his departure. It was a sizeable and
now neglected industry which relied upon manual dexterity of the cutting
after drawing. There is a long tradition of cut paper arts, culminating
perhaps in the articulated animation figures of Lotte Reiniger.
In a recent
lecture David Watkin showed how he shot a scene for a film of Rossini's
Cenerentola as if it were an eighteenth century silhouette.
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