|
Edouard
Fer, Solfege de la Couleur, 1953 |
 |
John Gorham,
The Rotation of Coloured Disks, 1861 |
 |
John Bacon,
Theory of Colouring, 1872 |
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M.E.Chevreul,
Principles of Harmony and Contrast of Colours, 1860 |
 |
Ogden
Rood, Modern Chromatics, 1879 |
 |
A. Marques,
The Human Aura, 1896 |
 |
THE
ABC of COLOUR undated c1948 |
 |
H.Hartridge,
Colours and How We see them, 1949 |
 |
Beatrice
Irwin, The New Science of Colour, 1916 |
 |
Major R.Nickle,
Light and Colour,1889 |
 |
Mungo Ponton,
The Material Universe 1873 |
 |
Make-Up
for Stage and Screen, the Leichner Method |
 |
George
Hurst, Colour, 1900 |
 |
The Bennett
College, Colour, undated c1935 (correspondence course,
commercial art) |
 |
Annie Besant
and C.W.Leadbeater, Thought Forms |
 |
Annie Besant
and C.W. Leadbeater, Man Visible and Invisible, 2nd ed.1920
(1902) |
 |
C.W.Leadbeater,
The Chakras, 1927 |
 |
A.Wallace
Rimington, Colour-Music, 1911 |
|
Briggs of Manchester,
wool samples for sale |
|
Robert Vicon, Manuel
Theoretique et Pratique D'Etalagisme, Paris 1955.
|
 |
Charles Henry Cercle Chromatique Paris 1889, the Chromatic Circle,
one image |
 |
Rouget de Lisle Chromagraphie,
Paris 1838, the Chromatic Table |
 |
Charles Hayter, Introduction to Perspective etc 1845 |